Jimmy Stewart Robert Matzen

Those Damn Peaks

Fireball: Carole Lombard and the Mystery of Flight 3 by Robert Matzen

Carole Lombard and dignitaries just off the east steps of the Indiana State House in Indianapolis on January 15, 1942. As of now, she had less than 36 hours to live.

If you’ve read Fireball: Carole Lombard and the Mystery of Flight 3, you know the significance of January 16; a year ago, since the date coincided with the fall of weekdays culminating in Friday January 16, I conducted a Twitter campaign to take you minute by minute through Carole Lombard’s last hectic 36 hours of life in real-time. That exercise taught me just how fast she careened toward her own death. It’s 11:30, she’s here; it’s 12:15, she’s there; 2:05, time for a wardrobe change to be here at 2:15. She had spent Thursday January 15, 1942 dashing and appearing. Make a speech, sell bonds, dash a few blocks to raise a flag, change clothes, go to a tea, change clothes, go to dinner uptown, then motorcade to the evening “gala.”

Fireball: Carole Lombard and the Mystery of Flight 3 by Robert Matzen

Mary Anna Johnson was a young federal researcher when she saw Carole Lombard board TWA Flight 3 in Indianapolis. Mary would be bumped from Flight 3 before it crashed, and tell me all about the experience 70 years later.

Last year’s Twitter recreation of the timeline for today, January 16, took a more linear turn. Imagine you’re flying west on a TWA red-eye, and it’s the middle of the night and you stop in lonely Indianapolis. Modern air travelers have no frame of reference for what a DC-3 interior was like. Basically you sat in the equivalent of a big tin can, sloped uphill, in terrific noise. You can’t imagine the noise of two commercial transport engines on either side of you, so if you got on the plane at LaGuardia or Newark and hopped your way west, by the time you reached Indianapolis, you were bushed. Sleep, when it came at all, was fleeting and fitful. Then as you sit in the silence of a darkened tarmac (the tinnitus of those engines still in your ears), your flight attendant, known then as an “air hostess,” announces that a VIP is boarding and please respect her privacy. Onto the plane steps Carole Lombard, her mother, and their PR man, with Lombard still wired from all she had experienced in the last 18 hours, from her first appearance in Indianapolis on.

As I write this I guess she’s somewhere over Missouri and now she’s sleeping fitfully and fleetingly while flying beside and in front of two passengers who are spitting mad at her for making them travel by air at all. Spitting mad. This is one of many aspects of the story that people don’t quite get because there are no photographs to depict it and few eyewitnesses spoke of it, but this party was Unhappy with a capital Un. Carole’s mother, whom she knew as “Petey” sometimes and “Tots” most of the time, would go to her fiery death furious at her daughter. PR man Otto Winkler would spend his last day trapped on the tin can and anticipating an air disaster because he had dreamed it would happen. So here he is right now over Missouri, expecting the worst after he had expended all his energy in Indianapolis and then hadn’t slept all night. Imagine, just imagine…

Stop after stop followed as the TWA’s transcontinental Flight 3 hedge-hopped west, stopping to pick up and drop off passengers and mailbags and to top off the tanks for the next leg. Then there’s another aspect of the thousand aspects to the story: the Army Air Corps guys. They had gotten onto the plane in dribs and drabs and by the last stop, the unscheduled stop in Las Vegas, there were 15 of these fliers on the plane as passengers, and only four civilians. One of the reasons I decided to write the manuscript I’m finishing today, Mission: Jimmy Stewart and the Fight for Europe, is because of the affinity I feel for the Air Corps boys after writing Fireball. Newspapers reporting the crash of the plane gave the impression these young men were all pilots, but they weren’t. They were also co-pilots, navigators, radio men, and engineers. They were parts of flight crews in the Ferrying Command who took medium and heavy bombers east to the war, then snagged commercial flights back to California and did it over again. In the coming months these young guys were expecting transfer to American bases where they would train Air Corps conscripts because experienced Air Corps fliers were in short supply. Then after promotions they’d head to Europe or the Pacific as senior-level officers or non-coms.

Fireball: Carole Lombard and the Mystery of Flight 3 by Robert Matzen

A TWA DC-3 transcontinental Sky Club of the kind that crashed on this date in 1942 killing the flight crew, 15 Army Air Corps fliers, and four civilians, including Carole Lombard.

The life of an army aviator wasn’t easy because their ships were reliable and yet not at all reliable. We were then just out of the era of the biplane and still figuring out multi-engine aviation. Here’s something else to think about: When TWA Flight 3 took off into the Las Vegas darkness on this night, January 16, the 15 fliers sat there in the noise analyzing climb rate and engine performance. They could feel the overweight ship laboring to reach altitude because this is what they did for a living—they flew multi-engine planes. And since they were flying out of McCarran, an army airfield, they all knew Vegas and the dangers of the surrounding mountains and must have been wondering where those damn peaks were. But some of them also knew the pilot, Capt. Wayne Williams, because he had been teaching classes for the Army in multi-engine flying so they’d figure, with Capt. Williams up there, we’re OK.

They weren’t OK. A whole bunch of little things happened along the way that conspired to put Mt. Potosi in the way of Flight 3 as she power-climbed to altitude. The result: fireball—the image in my mind for years as I’d fly through Vegas and look over at Potosi and imagine what the people of Las Vegas witnessed in the western sky this night at about 7:30 local time. From 30 miles off they saw a little pinpoint of light that represented 22 humans going up in flames. I’m very fond of, and feel close to, all of them, not just Carole, Petey, and Otto, and on this January 16, with the trees barren and the sky appropriately gray, I’ll look at my watch and think about where they were and what they were doing on this, the last day of their lives.

Fireball: Carole Lombard and the Mystery of Flight 3 by Robert Matzen

Mt. Potosi, Nevada. Imagine TWA Flight 3 coming into view from the right and power climbing toward the distant peaks. At just about dead center in the photo she hit the rock cliff walls just below the peak in the dark at 185 miles per hour.

At Home Wherever

Mission: Jimmy Stewart and the Eighth Air Force by Robert Matzen

With Tyrone Power in The Black Swan. Unleashing the Technicolor redhead.

Maureen O’Hara started out with Charles Laughton in Jamaica Inn in 1938 and Hunchback of Notre Dame a year later, then went on to a long and successful career as a Fox leading lady. She acted with Ty, Errol, and Duke and was in all those John Ford pictures. You never heard a hint of scandal about her and she lived to 95, but now she too is gone like Joan Leslie is gone. Well into her 80s MoH looked like a million bucks and gave me hope of immortality, and she wrote a sassy memoir like we wish more of the great ones had written. Now she’s left us; we keep losing them until there aren’t any left to connect us as humans to a Golden Age that’s now passed into history. We can no longer share memories with those who are living and have them tell us what the old stars were “really like” and walk the lots and describe their dressing rooms and provide anecdotes about directors and what happened on what soundstage; we can only look back and study printed words and recordings of those people. What they said is cast in concrete now; they aren’t saying anything new.

I’m reminded of a visit to the Warner Bros. lot somewhere around 2009. I asked around if anyone knew where Errol Flynn’s dressing room was and guess what: Nobody did. That information had died with Flynn and the other veteran studio employees now long gone. The “old timers,” volunteers at the gift shop, were from well after Flynn’s day, so the studio history of where Flynn’s or Bogart’s dressing rooms were no longer existed because nobody bothered to capture it. As it happens, I was able to piece together the exact location in case anybody wants to know—Jack Warner kept Flynn in the corner dressing room right outside the top man’s second-story window, literally under J.L.’s nose, where Flynn could be kept track of. But I digress.

Mission: Jimmy Stewart and the Eighth Air Force by Robert Matzen

With John Payne and Edmund Gwenn in Miracle on 34th Street for Fox.

I liked Maureen O’Hara well enough without classifying her a personal favorite. In hindsight, I took her for granted and when I stop to think about it, she participated in some of my favorite pictures, including How Green Was My Valley, Miracle on 34th Street, and The Long Gray Line. She was great with the Duke in pictures like Rio Grande and The Quiet Man, and she was tough enough that the abusive John Ford couldn’t reduce her to tears. If somebody gave it to Maureen, Maureen was capable of giving it right back–the very definition of a fiery redhead.

Thinking about it, though, I did find it charming when her natural Irish accent would sneak through her scrupulous American/English. Thought would come out taught. Thank you would be tank you. Mostly, though, you’d never guess she wasn’t from middle America and it must have taken quite a bit of effort to pull that accent off in picture after picture.

O’Hara’s muscular, square shoulders allowed her to credibly use a sword in adventure films like At Sword’s Point, where she played the daughter of a musketeer, and Against All Flags, where she played a Caribbean pirate. She also took pride in doing a lot of her own stunt work in physical pictures like McLintock. Basically, she did whatever kept her working in a run that lasted into the 1970s, with a later highlight being her role of the mother of twins in Disney’s The Parent Trap. The last thing I can remember seeing her in was Big Jake in 1971, looking as good as ever, bringing all that history and backstory with Duke to bear playing his ex-wife in what amounted to a glorified cameo in the first reel. By this time they had such chemistry that even as a kid I could feel the gravitas of their scenes together.

I had hoped to post this piece a week ago, but I got behind. I don’t mind putting it up now because after a flurry of goodbyes in newspapers and blogs, the stars seem to be laid to rest and rarely revisited. So instead of being just another in a clot of retrospectives, here I am more than a week later with my look back at a sassy Irish lass who was a beautiful leading lady and an important Fox contract player from Hollywood’s Golden Age, a versatile talent just as at home in a Welsh mining town as on the Spanish Main, a cavalry outpost, or 34th Street.

Mission: Jimmy Stewart and the Eighth Air Force by Robert Matzen

Leather and lace: O’Hara with Errol Flynn in Against All Flags. Best not to mess with either one.